| Issue | Title | |
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Traditions and Innovation in the Performance Practice of Jazz Violinists of the Turn of the 20th and 21st Centuries Joe Venutti and David Goloshchekin | Abstract PDF (Russian) |
| Marina L. Zaitseva, Regina R. Budagyan, Alexei I. Chekmenev | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | Transcriptions of Musical Texts in Work with Beginning Pianists | Abstract PDF |
| Liudmila N. Shaymukhametova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Transcriptions of Symphonic Music in the Repertoires of Folk Musical Instrument Orchestras: A Historical Overview | Abstract PDF (Russian) |
| Mikhail S. Kopyryulin | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Transformation of Orchestration in Rachmaninoff’s Rhapsody on a Theme of Paganini and Jazz Idioms | Abstract PDF (Russian) |
| Vadim Rakochi | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Transformations of the Russian Song Culture During the 1990s (the Regional Aspect) | Abstract PDF (Russian) |
| Olga S. Ilyicheva, Elena V. Komissarova, Galina P. Kibasova | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Typological Model of the Basso Ostinato in Carl Nielsen’s Fifth Symphony | Abstract PDF (Russian) |
| Vera I. Nilova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Utrenya by Krzysztof Penderecki: Concerning the Question of the Influence of the Musical Traditions of Orthodox Christianity | Abstract PDF (Russian) |
| Alexander S. Ryzhinsky | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East | Abstract PDF (Russian) |
| Sergei N. Skorinov, Yana St. Kryzhanovskaya | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Venice and Opera in the 18th Century | Abstract PDF |
| Irina P. Susidko | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Vladimir Dukelsky’s London Productions of the Second Half of the 1920s: From the Ballet a la Russe – To the English Thriller | Abstract PDF (Russian) |
| Antonina S. Maksimova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Vladimir Georgievich Ehrenberg: A Mocker’s Fate | Abstract PDF |
| Natela I. Enukidze | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Vsevolod Zaderatsky – a Composer with a Tragic Fate | Abstract PDF |
| Anton A. Rovner | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | What the Finch Sang About: Nature in the Narrative of Nikolai Sidelnikov’s Children’s Piano Album | Abstract PDF (Russian) |
| Elena A. Shefova | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Where does Russian Music Begin? The Case of Mikhail Glinka in the Biographical Series of “The Lives of Wonderful People” | Abstract PDF (Russian) |
| Lyubov A. Kupets | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Wilhelm Friedemann Bach’s Clavier Concertos: Between the Baroque and the Classical Styles | Abstract PDF (Russian) |
| Dana A. Nagina, Arseny I. Ivanov | ||
| No 4 (2024): Russian Musicology | Wolfgang Amadeus Mozart: the Composer’s First Steps | Abstract PDF |
| Irina P. Susidko, Pavel V. Lutsker | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Works for the Six-String Guitar by Soviet Composers From the 1930s to the 1960s | Abstract PDF (Russian) |
| Yuliya A. Finkelshtein, Evgeniy Yu. Finkelshtein | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | World War II in Music from Outside of Russia. Commemorating the 75th Anniversary of the Victory | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “Ach Golgatha!” by Karel Goeyvarts in the Aspect of Synthesis of Serialism, Aleatory Technique and Minimalism | Abstract PDF (Russian) |
| Anastasia V. Titova | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | “Arkhangelsky and Baliev, Baliev and Arkhangelsky”: Notes about the Music in the Cabaret Theater “Letuchaya Mysh” | Abstract PDF (Russian) |
| Natela I. Enukidze | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | “Buddha Passion” by Tan Dun | Abstract PDF (Russian) |
| Xinjie Luo | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | “Folk Music Culture” as an Academic Discipline in the System of Secondary Vocational Education: Problems and Perspectives | Abstract PDF (Russian) |
| Varvara P. Kalyuzhnaya | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | “Il Mio Tesoro” by Wolfgang Amadeus Mozart: The Individual Features of Breath Control by Tenor Singers upon Performance of Vocalizations | Abstract PDF (Russian) |
| Vsevolod E. Kuzmin | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | “In Her Own Repertoire”: Ksenia Kourakina on the Stage of the Cameo Theater Krivoe Zerkalo [Distorted Mirror] | Abstract PDF (Russian) |
| Natela I. Enukidze | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | “Musical Rossica” as a Musicological Term | Abstract PDF (Russian) |
| Liudmila P. Kazantseva | ||
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