“Star of the Russian Musicological Firmament...” The Milestones of Tamara Levaya’s Intellectual Path
Abstract
The present article examines the creative path and scholarly ideas of one of the leading Russian musicologists, Doctor of Art History, Tamara Levaya (1938–2025), who for many years headed the Department of Music History at the Glinka Nizhny Novgorod State Conservatoire. The evolution of the scholar’s main musicological interests is traced along with examination of the role of the thinkers and teachers who played a decisive role in her professional development. Here special mention is given to Levaya’s works on Paul Hindemith, Alexander Scriabin, Dmitry Shostakovich, Sergei Prokofiev, Nikolai Myaskovsky, as well as on the issues of contemporary Russian music as presented through the writings of Valentin Silvestrov, Sergei Berinsky, Giya Kancheli, and Boris Getselev. The important role played by Tamara Levaya in the revival of the works of many forgotten composers (Arthur Lourie, Nikolai Roslavets, etc.) is emphasised. Having educated several generations of musicologists, Tamara Levaya created an independent scientific school based on the organic combination of careful analysis of musical texts and a reliable description of the broad cultural context. The article also considers the validity of using the “star” metaphor in the academic context. Having chosen a quote from the famous scientist Inna Barsova in the title of the article, based on the definition of the broadest research range of Tamara Levaya, comes to the conclusion that this scientist was truly a “star” — both in terms of the scale of her talent and the power of her influence on other researchers. The work of scholars like Levaya, which is commensurate with an entire era, stands as confirmation of the boundlessness of human knowledge.
Keywords: Tamara Levaya, musicology, scholar, scientific school, Russian music
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DOI: http://dx.doi.org/10.56620/RM.2025.2.013-022
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