| Issue | Title | |
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | A Glance at Cryptophony in Alexander Raikhelson’s Six Translations from Willi Melnikov for Theremin and Piano | Abstract PDF (Russian) |
| Irina V. Koposova | ||
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | A Multimodal Analysis of Hommage à Marina Tsvetayeva by Sofia Gubaidulina | Abstract PDF |
| Natalya V. Koshkareva | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | A Musical Portrait of Russia in a Dialogue of Cultures. A Review of the Book: Music from Abroad about Russia (Musical Rossica): Collective Monograph | Abstract PDF (Russian) |
| Natalya R. Saenko | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | A Retrospective Analysis of the Song Genres of Russian Folk Music | Abstract PDF (Russian) |
| Mikhail S. Zhirov, Natalia S. Kuznetsova, Olga Ya. Zhirova, Larisa A. Kinash | ||
| No 1 (2025): Russian Musicology | A Rhizomatic Model of Post-Modernism Culture in the Digital Era | Abstract PDF |
| Nadezhda A. Tsareva | ||
| No 4 (2024): Russian Musicology | A Successful Blend of Diverse Styles, Genres and Techniques in Andrew Thomas’ Orchestral Works from the End of the 20th Century | Abstract PDF |
| Anton A. Rovner | ||
| No 3 (2025): Russian Musicology | A Transdisciplinary Approach to the Study of Musical Phenomena: Fuzzy Set Theory and Its Application to Music Research and Educational Practice | Abstract PDF |
| Irina B. Gorbunova, Imina G. Alieva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | A Unique Epoch of European Civilization. Towards the 250th Anniversary of Beethoven’s Birth | Abstract PDF (Russian) |
| Alexander I. Demchenko | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | About Applying Probabilistic-Static Methods in Studying Regular Laws of Music and Musical-Pedagogical Research Works | Abstract PDF (Russian) |
| Irina B. Gorbunova, Mikhail S. Zalivadny | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | About Claude Debussy’s Harmony. Some Aspects of Tonality | Abstract PDF (Russian) |
| Vitaly V. Aleev | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | About Instruments for Extending the Informational Space of the Artistic Higher Educational Institution | Abstract PDF (Russian) |
| Svetlana V. Mezentseva | ||
| No 3 (2024): Russian Musicology | About Leopold Mozart’s Pedagogical Principles | Abstract PDF |
| Irina P. Susidko, Pavel V. Lutsker | ||
| No 1 (2025): Russian Musicology | About Liudmila Shaymukhametova (1951–2025) | Details PDF |
| Alexander S. Ryzhinsky | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | About Mikhail Sergeevich Zalivadny (1946–2023) | Details PDF (Russian) |
| Irina B. Gorbunova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | About Nina Khlebnikova’s Authorial Methods in Teaching Music Theory Disciplines to Wind Players | Abstract PDF (Russian) |
| Olga I. Kulapina | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | About Pedagogical Innovations in the Context of the Metamorphoses of Contemporary Musical Culture | Abstract PDF (Russian) |
| Galina R. Taraeva | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | About Sacred Music by the Composers of the Gnesins’ House. | Abstract PDF |
| Natalia S. Gulyanitskaya | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | About Svetlana Mozgot’s Book “Category of Space in Music” | Details PDF (Russian) |
| Oksana I. Lukonina | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | About the Carnival Features of Street Music: Festivity and Work | Abstract PDF (Russian) |
| Sergei S. Sokovikov, Elena A. Kaminskaya | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | About the corrections and specifications to Eylem Arıca’s article “A Brief Narrative of the Third Position as the Initial Position for Beginning-Level Violin Instruction” | Details PDF (Russian) |
| Liudmila N. Shaymukhametova | ||
| No 3 (2025): Russian Musicology | About the Course “Arrangement and Harmonisation” in the Curriculum of the Gnesin Russian Academy of Music for 2014–2017: Notes from a Teacher | Abstract PDF |
| Vitaly V. Aleev | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | About the Influence of the Performative Features of the Avant-garde Theater on Documentary Opera | Abstract PDF (Russian) |
| Alexandra V. Shornikova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | About the Manifestation of the Comical Element in Bashkir National Opera | Abstract PDF (Russian) |
| Gulnaz S. Galina | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | About the Musical Nartiad (“The Musical Nartiad: An Attempt of Research” by Beslan Ashkhotov) | Details PDF (Russian) |
| Liudmila E. Kumekhova (Naloeva) | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | About the Peculiarities of Form Generation in the Adyghe Epic Genre | Abstract PDF |
| Beslan G. Ashkhotov | ||
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