| Issue | Title | |
| No 1 (2026): Russian Musicology | Between Cantus Firmus and Pervasive Imitation: Features of Working with Liturgical Sources in Early Tudor Composers Motets | Abstract PDF |
| Gleb A. Konkin | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Boleslav L. Yavorsky’s Activities in Saratov: Following the Pages of the Archived Materials | Abstract PDF |
| Irina V. Polozova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | Borislava Efimenkova’s Research of Northern Russian Lamentations as the Beginning of the Ethnomusicological Science of the Gnesins’ Institute | Abstract PDF |
| Larisa M. Belogurova | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | British Choral Music at the Turn of the 19th and 20th Centuries: the Phenomenon of the English Musical Renaissance | Abstract PDF (Русский) PDF |
| Alexander S. Ryzhinsky | ||
| No 1 (2026): Russian Musicology | British Choral Music in the Last Third of the 20th Century: Outcomes of the English Musical Renaissance | Abstract PDF |
| Alexander S. Ryzhinsky | ||
| No 1 (2025): Russian Musicology | British Musicology in Personalities: Paul Griffiths | Abstract PDF |
| Yuliya I. Agisheva | ||
| No 2 (2026): Russian Musicology | Cao Xueqin’s Novel Dream of the Red Chamber and the Opera of the Same Name by Bright Sheng and David Henry Hwang in the Space of Art Historical Discourse | Abstract PDF |
| Yue Zheng | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Catalogues and Price Lists of the Music Publishing Company “Julius Heinrich Zimmerman”: Organization, Advertising Mechanisms and Trade Assortment (from the Collections of the Russian State Library) | Abstract PDF (Русский) |
| Olga V. Radzetskaya | ||
| No 4 (2024): Russian Musicology | Cendrillon, Cenerentola, and Agatina: The Plot Structure and Composition in the Operas by Nicolò Izouard, Gioachino Rossini and Stefano Pavesi | Abstract PDF |
| Nina V. Pilipenko | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Certain Peculiarities of the Dramaturgical and Compositional Structure of John Adams’ Opera Doctor Atomic | Abstract PDF (Русский) |
| Alexandra V. Shornikova | ||
| No 3 (2024): Russian Musicology | Certain Trends in Instructing Musical Theory Courses Abroad | Abstract PDF |
| Tatiana N. Krasnikova | ||
| No 2 (2026): Russian Musicology | Chamber and Instrumental Music by Alexey Krasheninnikov: Experimental Poetics | Abstract PDF |
| Ekaterina G. Okuneva, Darya S. Semko | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Choral Music in the Works of Hans Werner Henze | Abstract PDF (Русский) |
| Alexander S. Ryzhinsky | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Choral Writing in Iannis Xenakis’ Late Compositions | Abstract PDF |
| Alexander S. Ryzhinsky | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Cinema Music in Uzbekistan in the Context of the Issue of Synthesis of the Arts | Abstract PDF (Русский) |
| Shoyista Sh. Ganikhanova | ||
| No 2 (2026): Russian Musicology | Clarinet Concerto by Tolibkhon Shakhidi: Poetics of the Genre | Abstract PDF |
| Orzubonu N. Nurulloyeva | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Computer Music Technologies in the System of Present-Day Musical Education: An Attempt of Terminological Analysis | Abstract PDF (Русский) |
| Irina B. Gorbunova, Konstantin Yu. Plotnikov | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Computer Musical Technologies in the Development of Methods of Correction of Human Beings’ Stress Induced Conditions | Abstract PDF (Русский) |
| Alexander I. Fedotchev | ||
| No 1 (2025): Russian Musicology | Concerning the Issue of Compositional Technique in Polychoral Works (Based on the Motets by Thomas Tallis and Alessandro Striggio) | Abstract PDF |
| Gleb A. Konkin | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of Musical Self-Organization of Epic Art (by the Example of the Azerbaijani Heroic Epos) | Abstract PDF (Русский) |
| Kamila H. Dadash-zade | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of Reception of Tchaikovsky’s Piano Concertos Outside of Russia | Abstract PDF (Русский) |
| Dmitri V. Belyak | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of Sonic Semantics of Traditional Saami Musical Instruments | Abstract PDF (Русский) |
| Igor V. Soloviev | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of Studying the Specific Features of Intonating in the Finnish-Ugric Monody of the Improvisational Kind | Abstract PDF (Русский) |
| Svetlana V. Kosyreva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Issue of the Main Protagonist in 17th Century Italian Oratorio | Abstract PDF (Русский) |
| Grigory R. Konson | ||
| No 4 (2025): Russian Musicology | Concerning the Question of Anthropomorphic Metaphors in Music (Semiotic Aspect) | Abstract PDF |
| Elena M. Alkon | ||
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