| Issue | Title | |
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Question of Determining the Role of Artificial Intellect in Music | Abstract PDF (Русский) |
| Anna V. Popova, Svetlana S. Gorokhova, Guzel M. Aznagulova, Marianna G. Abramova | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Concerning the Question of the Evolution of an Ethno-Musical System (on the Materials of the Song Traditions of the Upper Oka Villages of the Tula Region) | Abstract PDF (Русский) |
| Yuliya V. Gaisina | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Concerning the Specific Features of Musical Instrumental Performance among Students with Impairments in Eyesight | Abstract PDF (Русский) |
| Sergei N. Fedin, Nina A. Mitskevich, Oleg N. Kharsenyuk, Elbrus R. Shabaev, Andrei S. Lisimenko | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Congratulations! | Details PDF (Русский) |
| Liudmila N. Shaimukhametova | ||
| No 3 (2024): Russian Musicology | Contemporary Music and the Methods of its Analysis | Abstract PDF |
| Tatiana V. Tsaregradskaya | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Contrapuntal Compositions in the Form of Historical Dances in the Conditions of Ensemble Music-Making | Abstract PDF |
| Liudmila N. Shaymukhametova | ||
| No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship | Creative Thinking and Creative Technologies as a Modern Component of Instruction of Music Professions | Abstract PDF (Русский) |
| Alexandra V. Krylova, Alexandra V. Shornikova | ||
| No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship | Creativity as a Universal Phenomenon of Existence (About Olga Zhukova’s Authorial Conception) | Abstract PDF |
| Polina S. Volkova | ||
| No 4 (2025): Russian Musicology | Development of the Instrumental Group of the Peking Opera from the 19th to the Early 21st Century in the Context of the Academisation of Chinese Musical Art | Abstract PDF |
| Yang Teng, Dmitry I. Varlamov | ||
| No 1 (2025): Russian Musicology | Development of Timbral Hearing in the System of “School – College – Higher Educational Institution” | Abstract PDF |
| Tatyana A. Litvinova | ||
| No 2 (2026): Russian Musicology | Dialectics of Contrasts in the Oratorio On Love and Hatred by Sofia Gubaidulina | Abstract PDF |
| Nadezhda V. Shirieva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Digital Art and the Future of Traditional Arts | Abstract PDF |
| Triyono Bramantyo | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Discussions in Soviet Musicology: The “Symphonic Genre” in the Epoch of Excessive Words | Abstract PDF (Русский) |
| Tatiana I. Naumenko | ||
| No 2 (2026): Russian Musicology | Dmitry Shostakovich’s Orchestral Dialogues: The Symphony as an Opera | Abstract PDF |
| Irina P. Susidko, Pavel V. Lutsker | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Early Italian Opera Within the Labyrinths of Postmodernity | Abstract PDF |
| Pavel V. Lutsker, Irina P. Susidko | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Early Russian Chant and Contemporary Compositions: A Typology of Conjugacy | Abstract PDF (Русский) |
| Elena E. Lobzakova | ||
| No 2 (2026): Russian Musicology | Educational Models of Woodwind Performance in Russia: Moscow Conservatory vs. Gnesin Russian Academy of Music | Abstract PDF |
| Guo Yu | ||
| No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Electronic Music in St. Petersburg: An Overview. Interview with Composer Alexander Kharkovsky | Abstract PDF (Русский) PDF |
| Anton A. Rovner | ||
| No 4 (2024): Russian Musicology | Elena Malinovskaya: Theatrical and Musical Education in the Late 1910s–1930s | Abstract PDF |
| Petr N. Gordeev | ||
| No 2 (2026): Russian Musicology | Emotiology in the Context of Musical Aesthetics: Towards the Problem Statement | Abstract PDF |
| Polina S. Volkova, Natalia G. Solodovnikova | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Emotions as a Phenomenon of Vocal and Opera Music | Abstract PDF (Русский) |
| Aleksei A. Kostyuk, Galina V. Alekseeva | ||
| No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | Ethnojazz in the Context of the Folklore Culture: Problematic Aspects of Hybridization | Abstract PDF (Русский) |
| Sergei S. Sokovikov, Elena A. Kaminskaya | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Features of Ensemble Music-Making in the Western European Baroque Solo Violin Musical Text | Abstract PDF (Русский) |
| Irina V. Alexeyeva, Flyura B. Sitdikova | ||
| No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Features of Intertextuality in the Musical Oeuvres of Alexander Bakshi | Abstract PDF (Русский) |
| Olga A. Putecheva | ||
| No 3 (2025): Russian Musicology | Features of the Symphony and the Suite in Tchaikovsky’s Piano Concertos | Abstract PDF |
| Dmitry V. Belyak | ||
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