| Issue | Title | |
| No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Musicology: “Knowledge about Lack of Knowledge” – Setting and Solving Problems | Abstract PDF (Русский) |
| Natalia S. Gulanitskaya | ||
| No 3 (2025): Russian Musicology | Musicology: “Knowledge about the Lack of Knowledge” — Setting and Solving Problems | Abstract PDF |
| Natalia S. Gulyanitskaya | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Mythological Models and Ritual Forms in Contemporary Musical Theater Performance | Abstract PDF (Русский) |
| Elena V. Kiseyeva, Vera N. Dyomina | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Neo-Baroque Concertizing in the Works by Russian Composers of the Final Quarter of the 20th Century | Abstract PDF (Русский) |
| Maria N. Ostanina, Svetlana S. Goncharenko | ||
| No 4 (2025): Russian Musicology | New Biographical Data about Piano Makers John Conrad Becker (London) and Yakob Davidovich Becker (St. Petersburg) | Abstract PDF |
| Maxim V. Sergeev | ||
| No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki | New Romanticism in Danish Music: about the Artistic Method of Bent Sørensen | Abstract PDF (Русский) |
| Ekaterina G. Okuneva | ||
| No 2 (2025): Russian Musicology | New Strings Gather at the Pear Garden to Evoke the Sound of Unmatched Beauty: The National Sound-Dramatic Rhetorics of Jia Daqun’s Liyuan | Abstract PDF |
| Dandan Wang | ||
| No 4 (2024): Russian Musicology | Nicola Sala’s Regole del contrappunto pratico (1794): History, Theory, and Practice | Abstract PDF |
| Anastasia I. Maslova | ||
| No 1 (2025): Russian Musicology | Nikolai Korndorf’s Compositions in Alexander Ivashkin’s Repertoire | Abstract PDF |
| Yuliya N. Panteleeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Nikolai Myaskovsky on the Pages of the Journal “Sovetskaya Muzyka” During the Years 1933–1951: Content Analysis | Abstract PDF (Русский) |
| Natalia A. Gorbunova | ||
| No 4 (2024): Russian Musicology | Nikolai Rimsky-Korsakov’s Third Textbook in Alexander Ossovsky’s Notes: Concerning the History of the Formation of the St. Petersburg School of Music Theory | Abstract PDF |
| Tamara I. Tverdovskaya, Alla I. Yankus | ||
| No 1 (2026): Russian Musicology | On the Significance of the Composer’s Comments in the Scores of Guo Zurong’s Piano Concertos (On the Example of the Sixth Piano Concerto Ode to the Plum Blossom) | Abstract PDF |
| Cui Xiwen | ||
| No 4 (2025): Russian Musicology | On the Similarity of the Principles of Church Singing Interpretation of the Sequentia and the Bezstrochen in Western European and Russian Hymnography | Abstract PDF |
| Svetlana A. Pavlova | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Opera as Reflected in Russian Academic Periodicals of the Last Five Years | Abstract PDF PDF (Русский) |
| Irina P. Susidko, Pavel V. Lutsker, Nina V. Pilipenko | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Opera Criticism in Russia in the Early 21st Century: Constructing the (Non-) Soviet Style | Abstract PDF |
| Lyubov A. Kupets | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Operetta Theater in the Far East in the Period between Two Wars (1906–1914) | Abstract PDF (Русский) |
| Izabella I. Krylovskaya | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Oratorio Compositions by Composers in Kazakhstan | Abstract PDF (Русский) |
| Dilara T. Karekenova | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Particular Features of the Theater Poster in Bashkiria in the Early 20th Century | Abstract PDF (Русский) |
| Mars L. Akhmadullin, Elza E. Purik, Vilur R. Shakirov, Marina G. Shakirova | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Peculiarities of Musical Style in the Folk Songs of Belgorod-Oskol Region: Local Regional Manifestations | Abstract PDF (Русский) |
| Mikhail S. Zhirov, Olga Ya. Zhirova, Olga I. Alekseeva, Larisa A. Kinash | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Peculiarities of the Sound Space of Ritual Actions in Richard Schechner’s Theatrical Performance “Dionysos-69” | Abstract PDF (Русский) |
| Vera N. Dyomina | ||
| No 4 (2024): Russian Musicology | Pedagogical Practice at the Gnesin Russian Academy of Music: Temporal Parallels | Abstract PDF |
| Dmitri V. Belyak | ||
| No 1 (2025): Russian Musicology | Pentecost Songs in the System of Traditional Musical Culture of the Belgorod Region | Abstract PDF |
| Natalia S. Kuznetsova, Mikhail S. Zhirov, Olga Ya. Zhirova, Anna M. Nikisheva | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Performing Art of Maria Gay: Following the Pages of Russian Musical Criticism and Memoiristics | Abstract PDF (Русский) |
| Elena Yu. Andrushchenko, Galina P. Andrievskaya | ||
| No 3 (2024): Russian Musicology | Piano Arrangements as a Universal Principle of Adaptation of European Artistic Values to the Peculiarities of Chinese Musical Culture | Abstract PDF |
| Anatoly V. Pchelintsev, Anna G. Alyabyeva | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Piotr Tchaikovsky’s Third Piano Concerto and the Issue of Cyclicity | Abstract PDF (Русский) |
| Dmitri V. Belyak, Irina P. Susidko | ||
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