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Issue |
Title |
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No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship |
About the Works of Russian Minimalist Composers: The Idiomatics of the Musical Language |
Abstract
PDF
|
Yuliya N. Panteleeva |
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No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
Achievement Motivation and its Impact on Music Students’ Performance and Practice in Tertiary Level Education |
Abstract
PDF
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Maria Strenacikova Jr., Maria Strenacikova Sr. |
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No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
Acousmatic Sound in Multimedia Installations |
Abstract
PDF (Russian)
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Alexandra V. Krylova |
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No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
Actualization of Areal History Competence in the Process of Training Music Pedagogues at Universities and Conservatories |
Abstract
PDF (Russian)
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Gulzada A. Khusainova, Daulet T. Tapenov, Darkhan E. Kozhebaev, Aigerim E. Zhumasheva |
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No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
Alexander Nemtin’s Concerto for Organ |
Abstract
PDF
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Anton A. Rovner |
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No 3 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
Along the Path of Spiritual Self-Knowledge. About Valentina Kholopova’s Monograph “Sofia Gubaidulina” |
Abstract
PDF (Russian)
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Nino O. Barkalaya |
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No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship |
An Interview with Composer and Pianist Nina Siniakova |
Abstract
PDF
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Anton A. Rovner |
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No 1 (2022): Music Scholarship / Problemy Muzykal'noj Nauki |
An Unpublished Page of Choreographer Filippo Taglioni’s Biography: Based on Materials from the Russian State Historical Archive |
Abstract
PDF
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Olga A. Fedorchenko |
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No 1 (2024): Problemy muzykal'noi nauki / Music Scholarship |
Anton Chekhov’s Novelette The Black Monk as an Object of Compositional Reflection (on the Example of the Eponymous Opera by Alexei Kurbatov) |
Abstract
PDF (Russian)
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Alexander I. Demchenko, Dinara M. Disenova |
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No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
Antonio Vivaldi’s “The Seasons” in the Reinterpretation of British Minimalist Composer Max Richter |
Abstract
PDF (Russian)
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Alina R. Izergina, Irina V. Alexeyeva |
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No 1 (2020): Music Scholarship / Problemy Muzykal'noj Nauki |
Archaic Narrative Motives in Mozart’s “The Magic Flute” |
Abstract
PDF (Russian)
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Olga M. Plotnikova |
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No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
Aspects of Spiritual Meaning in Francis Poulenc’s Opera Dialogues of the Carmelites |
Abstract
PDF (Russian)
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Valentina V. Azarova |
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No 4 (2022): Problemy Muzykal'noj Nauki / Music Scholarship |
Author Function in the Poetics of Contemporary Music |
Abstract
PDF (Russian)
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Yuliya N. Panteleeva |
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No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki |
Avant-Garde Scores as a Subject of Artistic Interpretation in Modern Rock Music |
Abstract
PDF (Russian)
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Anastasiya Yu. Slobodchikova |
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No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship |
Bent Sørensen’s Sounds Like You as a Phenomenon of Contemporary Musical Theater |
Abstract
PDF (Russian)
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Ekaterina G. Okuneva |
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No 2 (2022): Music Scholarship / Problemy Muzykal'noj Nauki |
Bertoldo, Bertoldino e Cacasenno: the Original Score Examined |
Abstract
PDF
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Pavel V. Lutsker |
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No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship |
Boleslav L. Yavorsky’s Activities in Saratov: Following the Pages of the Archived Materials |
Abstract
PDF
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Irina V. Polozova |
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No 3 (2023): Problemy muzykal'noi nauki / Music Scholarship |
Borislava Efimenkova’s Research of Northern Russian Lamentations as the Beginning of the Ethnomusicological Science of the Gnesins’ Institute |
Abstract
PDF
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Larisa M. Belogurova |
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No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship |
British Choral Music at the Turn of the 19th and 20th Centuries: the Phenomenon of the English Musical Renaissance |
Abstract
PDF (Russian)
PDF
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Alexander S. Ryzhinsky |
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No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship |
Catalogues and Price Lists of the Music Publishing Company “Julius Heinrich Zimmerman”: Organization, Advertising Mechanisms and Trade Assortment (from the Collections of the Russian State Library) |
Abstract
PDF (Russian)
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Olga V. Radzetskaya |
|
No 4 (2024): Russian Musicology |
Cendrillon, Cenerentola, and Agatina: The Plot Structure and Composition in the Operas by Nicolò Izouard, Gioachino Rossini and Stefano Pavesi |
Abstract
PDF
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Nina V. Pilipenko |
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No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
Certain Peculiarities of the Dramaturgical and Compositional Structure of John Adams’ Opera Doctor Atomic |
Abstract
PDF (Russian)
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Alexandra V. Shornikova |
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No 3 (2024): Russian Musicology |
Certain Trends in Instructing Musical Theory Courses Abroad |
Abstract
PDF
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Tatiana N. Krasnikova |
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No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki |
Choral Music in the Works of Hans Werner Henze |
Abstract
PDF (Russian)
|
Alexander S. Ryzhinsky |
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No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship |
Choral Writing in Iannis Xenakis’ Late Compositions |
Abstract
PDF
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Alexander S. Ryzhinsky |
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