| Issue | Title | |
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Particular Features of the Theater Poster in Bashkiria in the Early 20th Century | Abstract PDF (Russian) |
| Mars L. Akhmadullin, Elza E. Purik, Vilur R. Shakirov, Marina G. Shakirova | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Peculiarities of Musical Style in the Folk Songs of Belgorod-Oskol Region: Local Regional Manifestations | Abstract PDF (Russian) |
| Mikhail S. Zhirov, Olga Ya. Zhirova, Olga I. Alekseeva, Larisa A. Kinash | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Peculiarities of the Sound Space of Ritual Actions in Richard Schechner’s Theatrical Performance “Dionysos-69” | Abstract PDF (Russian) |
| Vera N. Dyomina | ||
| No 4 (2024): Russian Musicology | Pedagogical Practice at the Gnesin Russian Academy of Music: Temporal Parallels | Abstract PDF |
| Dmitri V. Belyak | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Performing Art of Maria Gay: Following the Pages of Russian Musical Criticism and Memoiristics | Abstract PDF (Russian) |
| Elena Yu. Andrushchenko, Galina P. Andrievskaya | ||
| No 3 (2024): Russian Musicology | Piano Arrangements as a Universal Principle of Adaptation of European Artistic Values to the Peculiarities of Chinese Musical Culture | Abstract PDF |
| Anatoly V. Pchelintsev, Anna G. Alyabyeva | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Piotr Tchaikovsky’s Third Piano Concerto and the Issue of Cyclicity | Abstract PDF (Russian) |
| Dmitri V. Belyak, Irina P. Susidko | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Play: A Historical and Cultural Approach | Abstract PDF |
| Ekaterina I. Vasileva | ||
| No 4 (2023): Problemy muzykal'noi nauki / Music Scholarship | Polystilistics as a Factor of Musical Form-Generation | Abstract PDF (Russian) |
| Liudmila P. Kazantseva | ||
| No 4 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Popularization of Folk Musical Instruments Among Young People (by the Example of the Kazakh Traditional Kobyz) | Abstract PDF (Russian) |
| Aknar T. Sharipbaeva | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Preparation of Musical Pedagogy in Teachers’ Training Courses in Kazakhstan in the Last Quarter of the 19th and Early 20th Century | Abstract PDF (Russian) |
| Gulnara B. Argingazinova, Gulzada A. Khussainova, Inna S. Kobozeva | ||
| No 4 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Principles of Tonal Organization in Alexander Scriabin’s Works after Op. 58 | Abstract PDF |
| Michael Kaykov | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Productions of Camille Saint-Saens’ Opera “Henry VIII” on the Russian Stage in the Late 19th and Early 20th Centuries: A Dialogue of the Cultures of Russia and France | Abstract PDF (Russian) |
| Zoya N. Knyaz | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Quotations from Brahms’s Piano Music in the Context of the Metamodernist Trends in 21st Century Cinema | Abstract PDF (Russian) |
| Anastasia A. Komarova | ||
| No 2 (2023): Problemy muzykal'noi nauki / Music Scholarship | Review of the Book: Solodovnikova N. G., Sorokina E. A. Emotive Linguoecology of Modern and Ancient Texts. Volgograd: Peremena, 2021. 270 p. | Abstract PDF |
| Polina S. Volkova | ||
| No 4 (2024): Russian Musicology | Revisiting Musical Semiotics: Returning to Greek Stoic Definitions | Abstract PDF |
| Ildar D. Khannanov | ||
| No 3 (2022): Problemy Muzykal'noj Nauki / Music Scholarship | Rhyme and Rappability: Synthetic Isochrony in Russian and English on the Example of Lermontov | Abstract PDF |
| Thomas Beavitt | ||
| No 2 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Rodion Shchedrin’s Opera “Lolita”: About the History of the Perm Production | Abstract PDF (Russian) |
| Svetlana M. Platonova | ||
| No 2 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Russian Wikipedia vs Great Russian Encyclopedia: (Re)construction of Soviet Music in the Post-Soviet Internet Space | Abstract PDF |
| Lyubov A. Kupets | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Sampling as a Process of Integration of New Technologies in the Musical Culture of Kazakhstan | Abstract PDF (Russian) |
| Olzhas M. Baibekov, Meruert S. Kurmangalieva | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Scholarly and Academic-Methodological Activities of the Gnesins’ State Musical Pedagogical Institute and the Political Events of the Second Half of the 1940s | Abstract PDF |
| Tatiana I. Naumenko | ||
| No 3 (2020): Music Scholarship / Problemy Muzykal'noj Nauki | Screen Images in Contemporary Opera: Concerning the Issue of the Genre’s Renewal at the Turn of the 20th and 21st Centuries | Abstract PDF (Russian) |
| Elena V. Kiseyeva | ||
| No 1 (2021): Music Scholarship / Problemy Muzykal'noj Nauki | Selected Attributes of Music and Musical Instruction in Slovakia During the Classical Period | Abstract PDF |
| Maria Strenacikova Sr., Maria Strenacikova Jr. | ||
| No 2 (2024): Problemy muzykal'noi nauki / Music Scholarship | Semantic and Structural Potential of Autoreferentiality in the Music of Bent Sørensen | Abstract PDF (Russian) |
| Ekaterina G. Okuneva | ||
| No 1 (2023): Problemy muzykal'noi nauki / Music Scholarship | Sergei Prokofiev’s Music for Mikhail Romm’s Film The Queen of Spades | Abstract PDF (Russian) |
| Yang Yu | ||
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